Παρασκευή, 13 Ιουνίου 2014

Blue Note Perfect takes by Rudy van Gelder

   Rudy Van Gelder (born 2 November 1924, Jersey City, New Jersey) is regarded as one of the most important recording engineers in music history. He has recorded several thousand jazz sessions, including many widely recognized as classics, in a career spanning more than half a century during which he has brought an unprecedented clarity to jazz recording,  plus he has recorded many of the great names in the genre, including Miles Davis, Thelonious Monk, Sonny Rollins, Joe Henderson, Grant Green, Wayne Shorter, John Coltrane, and many others.
   Although he was associated with Blue Note Records he also worked for PrsetigeRecords, Savoy , Libery .. he was often admired for his recording techniques (the warmth and presence he brings to the end- result being a longtime jazz fan -his uncle, after whom Rudy was named, had been drummer for Ted Lewis's band in the mid-1930s and Van Gelder himself had lessons on trumpet). Some critics however have also expressed a distaste for the thin and recessed sound in the instruments, mainly the piano ( Blue Note president and producer Alfred Lion often noted that Rudy was sometimes a little heavy on the reverb and would jokingly note that on the tape box as a "Rudy special").

Van Gelder's interest in microphones and electronics can be traced to his youth during which he demonstrated enthusiasm for amateur radio.and recorded friends in his parents' Hackensack, New Jersey living room in a house build in 1946 and designed with the intention that it could also be used as a recording studio.
  "When I first started, I was interested in improving the quality of the playback equipment I had", Van Gelder commented in 2005. "I never was really happy with what I heard. I always assumed the records made by the big companies sounded better than what I could reproduce. So that's how I got interested in the process. I acquired everything I could to play back audio: speakers, turntables, amplifiers"

  One of Van Gelder's friends, baritone saxophonist Gil Mellé, introduced him to Blue Note Records producer Alfred Lion around 1952.  Within a few years Van Gelder was in demand by many other independent labels based around New York.
  Bob Weinstock owner of Prestige recalled in 1999: "Rudy was very much an asset. His rates were fair and he didn’t waste time. When you arrived at his studio he was prepared. His equipment was always ahead of its time and he was a genius when it came to recording."
The 1950s also saw Ven Gelder do engineering and mastering work for the classical label Vox Records.

  Until the late 1950s Van Gelder worked during the day as an optometrist. In the summer of 1959, Van Gelder moved his operations to a larger studio in Englewood Cliffs, a few miles south east of the original location , and left his day job in favor of recording full-time.
 ( Carlos "Patato" Valdez (from left), Jerry Gonzalez, Dizzy Gillespie and Andy Gonzalez during recording on the album, Portrait of Jenny at Rudy Van Gelder's studio in Englewood Cliffs, N.J., sometime in the 1970s.)
The new studios' structure was inspired by the work of Frank Lloyd Wright and bore some resemblance to a chapel, with high ceilings and fine acoustics.

In the mid-1950s, Monk composed a tribute to Van Gelder called "Hackensack."

It was in Englewood Cliffs where John Coltrane recorded his A Love Supreme album for Impulse! Records in 1964. Other labels, such as Verve Records, made use of the new facility while Blue Note and Prestige continued their associations with Van Gelder for several years.
Van Gelder was secretive about his recording methods, leading to much speculation among fans and critics about particular details.
   In 1967, Alfred Lion retired from running Blue Note, and the company's owners, Liberty Records (from 1965), began to use other engineers more regularly. Prestige, too, had started to use other studios a few years earlier. Van Gelder remained active in music, most notably as the engineer for most of Creed Taylor's CTI Records releases, a series of proto-smooth jazz albums that were financially successful but not always well-received by critics.
Though his output slowed, Van Gelder still remains active as a recording engineer. Since 1999, he has been busy remastering the analog Blue Note recordings he made several decades ago into 24-bit digital recordings in its ongoing RVG Edition series, and also for a similar series of re-masters featuring some of the Prestige albums he recorded for its current owners, Concord Records.

Van Gelder  interviewed by  jazz.com & by  jazzwax

1– Thelonious Monk :Four In One
   Bass – Al McKibbon
   Drums – Art Blakey
   Saxophone [Alto] – Sahib Shihab
   Vibraphone – Milt Jackson
2– Miles Davis:Budo
   Bass – Joe Shulman
   Drums – Max Roach
   French Horn – Junior Collins
   Piano – Al Haig
   Saxophone [Alto] – Lee Konitz
   Saxophone [Baritone] – Gerry Mulligan
   Trombone – Kai Winding
   Tuba – Bill Barber
3– Hank Mobley:Remember
   Bass – Paul Chambers
   Drums – Art Blakey
   Piano – Wynton Kelly
4– Freddie Hubbard:Arietis
   Bass – Art Davis
   Drums – Elvin Jones
   Euphonium – Bernard McKinney
   Piano – McCoy Tyner
   Saxophone [Tenor] – Wayne Shorter
5– Kenny Burrell:Midnight Blue
   Bass – Major Holley
   Congas – Ray Barretto
   Drums – Bill English
6– Joe Henderson:Mode For Joe
   Bass – Ron Carter
   Drums – Joe Chambers
   Piano – Cedar Walton
   Trombone – Curtis Fuller
   Trumpet – Lee Morgan
   Vibraphone – Bobby Hutcherson
7– Donald Byrd:Christo Redentor
   Bass – Butch Warren
   Drums – Lex Humphries
   Guitar – Kenny Burrell
   Piano – Herbie Hancock
   Saxophone [Tenor] – Hank Mobley
   Vibraphone – Donald Best
8– Wayne Shorter:Footprints
   Bass – Reggie Workman
   Drums – Joe Chambers
   Piano – Herbie Hancock
9– Art Blakey:Moon River
   Bass – Jymie Merritt
   Piano – Cedar Walton
   Saxophone [Tenor] – Wayne Shorter
   Trombone – Curtis Fuller
   Trumpet – Freddie Hubbard
10– Jimmy Smith:See See Rider
   Drums – Donald Bailey
Guitar – Kenny Burrell    Saxophone [Tenor] – Percy France 
  • Producer – Rudy Van Gelder
All tracks except #1 & #2 originally recorded by Rudy Van Gelder.
Digitally remastered by Rudy Van Gelder in 2004

#1 recorded July 23, 1951
#2 recorded January 21, 1949
#3 recorded February 2, 1960
#4 recorded August 21, 1961
#5 recorded January 8, 1963
#6 recorded January 27, 1966
#7 recorded January 12, 1963
#8 recorded February 24, 1966
#9 recorded November 28, 1961
#10 recorded June 16, 1959

 Lp: Please your ears n' your soul 

Δευτέρα, 9 Ιουνίου 2014

El Chico - Chico Hamilton

 "El Chico" is one of Hamilton's works that show his talent to produce  good dancefloor music (and not only).
It was Recorded in NY on August 26 & 27, 1965  for Impulse!  and produced by Bob Thiele.
The influences  of Latin jazz, bossa nova, and the avant-garde are mixed into an unusual musical blend which nevertheless takes over the listeners mood.
"El Chico"  would be the last session gith Szabo who  would after this album  pursue a solo career.

    All compositions by Chico Hamilton except as indicated

    "El Chico" - 4:06
    "People" (Bob Merrill, Jule Styne) - 6:06
    "Marcheta" (Victor Schertzinger) - 4:00
    "This Dream" (Leslie Bricusse, Anthony Newley) - 3:17
    "Conquistadores" (Willie Bobo, Chico Hamilton, Albert Stinson, Gábor Szabó, Bob Thiele) - 6:40
    "El Moors" - 2:22
    "Strange" (John La Touche, Marvin Fisher) - 4:46
    "Helena" - 4:20

        Recorded in New York City on August 26 (tracks 3 & 7) and August 27 (tracks 1, 2, 4-6 & 8), 1965


    Chico Hamilton – drums
    Jimmy Cheatham - trombone
    Sadao Watanabe – alto saxophone
    Gábor Szabó – guitar
    Albert Stinson – bass
    Willie Bobo, Victor Pantoja - percussion

A taste:

Lp:Please your ears n' your soul

Τρίτη, 24 Αυγούστου 2010

Mickey & The Soul Generation Iron Leg ... One Funky Band From Texas

Oι Mickey & the Soul Generation είναι μια από τις μικρές, όχι πολύ διάσημες μπάντες που χάθηκαν στον χρόνο έως ότου κάποιος παραγωγός αποφάσισε να ψάξει με το κουράγιο ενός Indiana Jones στο χρονοντούλαπο των ξεχασμένων βινυλίων...
Η μπάντα δημιουργήθηκε στα τέλη της δεκαετίας του 1960 στο San Antonio του Texas, από τους Mickey Foster & Emil Carter. Αρχικά το δίδυμο αυτό συμμετείχε σε ένα latin-soul μουσικό σχήμα, τους Royal Tokens, από το οποίο αποχώρησαν για να σχηματίσουν δική τους μπάντα μαζί με τους George Salas &  Gilbert Rivera, την οποία αρχικά ονόμασαν "The Fabulous Four". Μετά από αρκετές αλλαγές στην σύνθεσή τους έγιναν οι "The Fabulous Five"...οι "Mickey and the Fabulous Five", για να καταληξουν στο όνομα "Mickey and the Soul Generation".
Έχοντας διακριθεί σε αρκετά τοπικά shows ταλέντων άρχισαν να ηχογραφούν στα studios του Texas,  βγάζοντας ένα 45άρι, το "Iron Leg",  το οποίο έκανε διανομή σε εθνικό επίπεδο η Maxwell Records, έχοντας πολύ καλές πωλήσεις σε Florida, California, & Texas και φτάνοντας στη ακμή της δημοτικότητάς του όταν το χρησιμοποίησε ο Nipsey Russell στο "The Tonight Show".
Με την κυκλοφορία του δεύτερού τους single "Football", η μπάντα ξεκίνησε περιοδεία στον Αμερικάνικο Νότο και τις Μεσοδυτικές πολιτείες ανοίγοντας συναυλίες των Sam & Dave, The Supremes, Clarence Carter, ώς που μετακόμισε στη Νέα Υόρκη για να συνεργαστούν με ένα άλλο σχήμα της Maxwell Records, τους Faith, Hope & Charity. Την περίοδο εκείνη έρχονται σε ρήξη με την
Maxwell Records λόγω οικονομικών διαφορών με αποτέλεσμα την επιστροφή τους στα πάτρια εδάφη,
όπου αν και συνέχισαν να ηχογραφούν σε τοπικά studios, και κάτω από την ετικέτα αρκετών εταιριών, λιγο αργότερα, το 1973 διαλύθηκαν...
Αν και κατά τη διάρκεια της ύπαρξής τους δεν έτυχαν μεγάλης επιτυχίας,  έγιναν ιδιαίτερα γνωστοί όταν ο Josh Davis (DJ Shadow) άρχισε να ενσωματώνει τη μουσική τους στις ηχογραφήσεις και τις μίξεις του. Ο Davis, που τους αποκαλούσε "αγαπημένη του funk μπάντα",  συγκέντρωσε τις ηχογραφήσεις του και μέσω της Cali-Tex records το 2002 και τις επανέκδωσε σε διπλό LP & CD. Έχοντας πάρει η επανέκδοση αυτή καλές κριτικές, έκτοτε  όλο και πιο συχνά οι Mickey & The Soul Generation αποτελλούν σταθερή πρώτη ύλη σε funk συλλογές ανεξάρτητων δισκογραφικών εταιρειών όπως η Jazzman Records.

Καλή Ακρόαση

Δευτέρα, 9 Αυγούστου 2010

Ray Terrace- Baila-Baila Featuring Manny Roman

Ηχογραφημένο το 1963 στα studios της Jubilee , το άλμπουμ αυτό του Ray Terrace αποτελλεί ένα δυνατό εκρηκτικό μίγμα mambon & salsa  που ξεσηκώνει με την καταπληκτική φωνή του Manny Roman!   

Καλή Ακρόαση

RAY TERRACE - Home Of Boogaloo

 Άλλο ένα δυνατό άλμπουμ του Ray Terrace , με σφιχτοδεμένα κομμάτια στο ρυθμό (η ενορχήστρωση έγινε από τον Marty Sheller) ερμηνευμένα από ένα πολύ καλό σχήμα μουσικών κάτω από την έμπνευση του Ray. Σ΄αυτό το άλμπουμ γίνεται ένας δυνατός σε εντυπώσεις συνδιασμός latin μουσικών φορμών με soul επιδράσεις, χαρακτηριστικά στα κομμάτια που ξεχωρίζουν από όλο το άλμπουμ τα "You've Been Talkin 'Bout Me Baby" & "Listen to me"


καλή ακρόαση

Σάββατο, 7 Αυγούστου 2010

RAY TERRACE ... oye el cuchy frito man

Ένα από τα καλύτερα bogaloo άλμπουμς της δεκαετίας του '60 , στο οποίο ο Ray Terrace "τα δίνει όλα"  μεταφέροντας στο βινύλιο το ρυθμό και το πάθος της Νεο Υορκέζικης latin  σκηνής! Με φωνητικά από τους  Manny Roman & Willie Torres , και ενορχηστρώσεις από τον αδελφό του Pete Terrace θα συνεπάρει τον ακροατή στους ρυθμούς του...

καλή ακρόαση

One Night With Blue Note, Preserved vol.1-4 (the vinyl revenge...)

Τα πολύτιμα αντικείμενα πάντα κρατούν τη γεύση και το άρωμα τους στο χρόνο , ειδικά όταν ειναι καλοδιατηρημένα! Συνεχίζοντας μια παλαιότερη καταχώρηση  (one night with Blue Note) αναφορικά με την αγαπημένη μου σειρά live sessions από την επέτειο της Blue Note, χαίρωμαι που μπορώ να προσφέρω σε ακρόαση και τα υπόλοιπα μέρη της για όσους δεν έχουν τύχει της απόλαυσης της μαγικής λαγνείας του βινυλίου....

Volume 1

   1. "Cantaloupe Island" (Herbie Hancock) - 10:38
   2. "Recorda Me" (Joe Henderson) - 11:15
   3. "Hat And Beard" (Eric Dolphy) - 7:09
   4. "Little B's Poem" (Bobby Hutcherson) - 8:07
   5. "Bouquet" (Hutcherson) - 7:07

    * Freddie Hubbard - trumpet (tracks 1 & 2)
    * Joe Henderson - tenor saxophone (tracks 1 & 2)
    * James Newton - flute (tracks 3 & 4)
    * Bobby Hutcherson - vibes (tracks 2-5)
    * Herbie Hancock - piano (track 1, 2, 4 & 5)
    * Ron Carter - bass
    * Tony Williams - drums (tracks 1-4)

καλή ακρόαση 

Volume 2

   1. "Broadside" (Bennie Wallace) -
   2. "Sweet And Lovely" (Gus Arnheim, Jules LeMare, Harry Tobias) - 2:46
   3. "Appointment in Ghana" (Jackie McLean) - 7:16
   4. "Passion Dance" (McCoy Tyner) -
   5. "Blues on the Corner" (Tyner) -
   6. "Pontos Cantados: Point 1/Look at the Top of the Stairs/Point 2/Question" (Cecil Taylor) -

    * Bennie Wallace - tenor saxophone (track 1)
    * Cecil McBee - bass (tracks 1 & 3-5)
    * Jack DeJohnette - drums (track 1 & 3-5)
    * McCoy Tyner - piano (tracks 2-5)
    * Woody Shaw - trumpet (tracks 3-5)
    * Jackie McLean - alto saxophone (tracks 3-5)
    * Cecil Taylor - piano (track 6)

καλή ακρόαση

Volune 3

   1. "Moanin'" (Bobby Timmons) -
   2. "I'm Glad There Is You" (Jimmy Dorsey, Paul Mertz) -
   3. "Summertime" (George Gershwin) -
   4. "Medley: Blues Walk/Gettin' Sentimental Over You" (Lou Donaldson/George Bassman) -
   5. "The Jumpin' Blues" (Jay McShann, Charlie Parker) - 6:09
   6. "A Child Is Born" -

    * Freddie Hubbard - trumpet (track 1)
    * Curtis Fuller - trombone (track 1)
    * Johnny Griffin - tenor saxophone (track 1)
    * Walter Davis Jr. - piano (track 1)
    * Reggie Workman - bass (track 1-3)
    * Art Blakey - drums (track 1)
    * Grover Washington Jr. - tenor saxophone, soprano saxophone (tracks 2 & 3)
    * Kenny Burrell - guitar (tracks 2-6)
    * Grady Tate - drums (tracks 2-6)
    * Lou Donaldson - alto saxophone (track 4)
    * Jimmy Smith - organ (track 4-6)
    * Stanley Turrentine - alto saxophone (tracks 5 & 6)

καλή ακρόαση

Volume 4

   1. "When You Wish upon a Star" (Ned Washington, Leigh Harline) -
   2. "Jumpin' Jack" (Stanley Jordan) -
   3. "The Blessing" (Charles Lloyd) -
   4. "Tone Poem" (Lloyd) -
   5. "Lady Day" (Lloyd) -
   6. "El Encanto" (Lloyd)
   7. "How Long" (Lloyd) -

    * Stanley Jordan - guitar (tracks 1 & 2)
    * Charles Lloyd - tenor saxophone, flute (tracks 3-7)
    * Michel Petrucciani - piano (track 3-7)
    * Cecil McBee - bass (tracks 3-7)
    * Jack DeJohnette - drums (tracks 3-7)
καλή ακρόαση